“Get
down, friend cousin,” Mina says, yanking Jacob to the ground. Ahead
of them is a medical cyborg, though the term “medical” is used
here facetiously. It has its darts primed to fire into some unwitting
victim's neck. Mina is aiming one of her guns at its head when
suddenly it whips around and detects them.
Jacob
lunges at it, and it fires at him. Mina gasps, but he slides down and
knocks it over, as his legs meet its own. As it collapses it makes a
braying sound, like a zombie donkey, but Jacob intends to put it out
of its misery. A single punch downward with the metal glove—the
same sort as the pair wielded by the medic—shatters something
significant in its head or neck, killing it and releasing it from its
torture.
That's
when a bomb falls, blowing the two apart.
.
.
.
And by
“apart”, we here mean that the bomb makes them separate; they are
actually fine. But Jacob tumbles backwards, into something he didn't
see in his focus on the cyborg. It's a pair of robotic mandibles,
reaching out to drag him into a similarly-mechanical mouth. He gives
out a tiny cry of anger before being sucked inside what turns out to
be a one-person Imperial hovercraft.
Mina
clambers to her feet just as it lifts off, flying south. She senses
Jacob within—and he's alive.
Her cry
is also of rage, but not of despair. Instantly, her adrenaline places
her on a drive of rescue and revenge.
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