The
journey will have to continue, in the face of everything. Though You
now likes Jacob, and Susie does as well, they can't just sit around
friend-blathering forever. Mark is the first to express this concept,
when he says, “You wankers can't just all sit around
friend-blathering forever!”
“Hey.
Mark, right? Who asked you?” Jacob replies.
“I
asked myself! And I asked all of the dead people in this city,
who were killed by Your father!”
“Wait.”
You has told Jacob much of what he told Mark, but he once again left
out that detail. “The Emperor is Your father?”
“Yes.”
You is beginning to feel irk over this idea, and how often it's being asked about.
“...what.
You didn't see this coming?”
“How
should I have? He was my father's clone, and the two were
telepathically linked via a brain implant this whole time.”
“...You
has a point. That does seem rather contrived. Still satisfies some
sort of trope, I suppose, down the line. 'I Am Your Father', or
something. That's why I say it's predictable.”
“I
guess. There are a lot of contrived things along this line.”
Jacob
nods. Now, on this other world, his old life seems to be fading into
the past already—he's a fast adapter to these sorts of things. But
in this new lens, he feels a strange tugging on his mind; like
someone, somewhere, set up the deaths of Lex and Amos to be some sort
of angst motivator. He feels inclined to give in to raw passion and
start crying or swearing against the moon or something like that.
It's only the fact that he's so self-consciously trope savvy that he
doesn't give into it. Maybe this is a side effect of that virus he
picked up, the one that made him start screaming during the D&D
session. Cliché
corruption. It's not that he wants to avoid feeling miserable about
the death of his friend, and his bro—he does feel that
already. It's just that he knows they wouldn't want him to be bogged
down, y'know?
“Well,
look,” Mark says. “We really need to get going. You,
Doctor.” He snaps and points to Kay. “You can fly us around in
this House, right?”
“Yes,
of course.”
“Takes
us the Tower. The Emperor's Tower.”
Jacob
suddenly frowns. “Wait. Did we say we were going to a Tower?”
You
senses that “Tower” keeps being capitalized, for some reason.
That's when You senses some sort of grammatical distortion around
Mark. But You can't trace its origin. Still, You can tell it's linked
to the strange tension in the air; which is to say, the altered
tense. It's like there's a grammar-based time field situated around
Mark. You realizes gently that You sensed the same thing around the
Emperor.
You
isn't the only one who tenses up. “I thought we mentioned that,”
Mark says. “The word keeps popping up in my head...” He pauses for a second. “I can't be the only one who's this confused.”
There is another one of those pauses for a split second.
During this pause, You senses something about Mark, something s̶t̶r̶u̶c̶k̶ ̶t̶h̶r̶o̶u̶g̶h̶. And You makes it physically clear that you is instantly distrustful of such a thing. It's in Your face, in Your fists as You clenches them. And the raw emotion in You, which You knows is based on something broken and no-longer-there, is visible to Susie.
She doesn't know what to think, but she's seen all that stuff in You in other times. Like every time Mark has opened his mouth, for instance, when he's been around her.
Susie
now approaches Doctor Kai, or Kay. “Doctor, we have to take off at
once. This House will give us a huge advantage, presumably, during
any sort of siege we'll have to make against the Emperor. How
resistance is it to attack?”
“Speaking
frankly, Miss Sanford,” he begins. “Only the most powerful magic
can damage The House. They could be armed with magic, but it's
not the nature of our enemy to use it. At least, in a way they
comfortably identify.”
Jacob
is surprised; Kai seems to manifest a different personality for each
person he talks to, and even then those personalities aren't
consistent. It's like he's some sort of identity libertine, as
stupid as that phrase sounds. Or, perhaps, a multi-faced bastard. He
did mention being insane once. He knows that the phrase “multiple
personalities” is no longer accurate, but maybe it's just simply
that Doctor Kai is a madman. (Could that explain the multiple names,
too?) But then, he still hasn't ruled out that he, Jacob, is the
madman. Which is something he just sort of accepts. No need to sweat
it, really. Reality is subjective, and so if his reality is this
messed up, it's true to at least him, and not much matters past that,
right?
While
Jacob muses, Susie talks. “Then we'll use it. Rig it with weapons
if we can get them. I doubt there are any here in Imperial Central
worth using, but if there are defenses near where we're headed, we
could crush or ram them with The House.”
“Sounds
like an excellent plan,” the Doctor says, grinning. He doesn't
reveal that The House is also vulnerable to the technology of the
Ultra—but he doesn't suspect that that will come up in the battle
ahead.
Aside
from everything, Klaus wanders off, and this doesn't go unnoticed by
You.
You
glances back at the others, before looking over at Klaus. You does
wonder where that guy goes when he gets around—maybe now You can
find out. You starts following him as he ducks into the rubble, with
the intent of making sure he isn't escaping or anything.
He
seems to be entering a building. One of those red, white, and blue
flags is waving overhead, indicating it was once an Imperial office
of some kind; now, it looks abandoned, and mostly shattered. As You
enters, Klaus begins to descending down the steps. This doesn't look
good, so instead of shouting after him (and perhaps thus alerting
anyone waiting down there), You heads back to the group.
“Klaus
just went inside an Imperial building,” You says. “He's climbing
down into a basement of some kind. Can you guys give me a hand with
him?”
No
one says anything, but they too become wary of some sort of ploy.
Nobody (with the possible exception of Mark) thinks that Klaus is
betraying anyone but he might be triggering some sort of trap. They
all begin to follow You, with Doctor Kai glancing back briefly to The
House.
When
they enter the building, the coast seems clear; there is an upstairs,
but the staircase for that has collapsed. So the whole place does
give off a solid air of abandonment. There's still the basement.
Susie leads everyone down there, followed closely by Jacob and Doctor
Kay. When they get there, there's only a single room, but at the far
edge of the room is a working computer terminal—hooked up to a
rectangular frame.
Doctor
Kai is the first to recognize it. “A portal gate. Likely captured
and repurposed by the Empire.”
“Is
this like one of the ones that transported us here? Roughly?” Jacob
asks.
“It's
the same sort of thing, yes. There are any number of ways the
Imperials could have gotten such a thing as this...”
“Could
we maybe use that control panel to get back to my Earth, then? We
have to still stop them from finding that snake thing you mentioned.
Serpentis bomb or whatever.”
“We
could, theoretically. But it looks like it has some sort of glitch.”
He looks it over. “It does...the key to access Universe-Beta-4
isn't lit up. It could be linked to a power failure...or...”
Suddenly,
the gate begins to glow, and a surge of rushing fuel can be heard.
“Sounds like the portal's powering up,” Susie says, with a degree
of apprehension. “Did you touch anything?”
“No!
It's something from the other side.”
Jacob
then feels something happening to him, personally. His hair, which we
must say now is rather long, is starting to stand on end. It could
just be the electricity pumping through the portal frame, or some
sort of reaction based on the trips he's made through the—what did
Kay call it? The Unseen? The trips he's made through The Unscene or
whatever recently. But it seems to be something else...
The
image solidifies, and Jacob allows himself a gasp.
“Mina?”
“...Jacob?”
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